Sandro Botticelli
Sandro Botticelli's Oil Paintings
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c. 1445 – May 17, 1510. Italian painter.

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Bartolomeo Passerotti
Carlo Sigonio

ID: 90380

Bartolomeo Passerotti Carlo Sigonio
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Bartolomeo Passerotti Carlo Sigonio


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Bartolomeo Passerotti

(1529-1592) was an Italian painter of the mannerist period, who worked mainly in his native Bologna. He traveled to Rome in the mid-16th century, where he worked under Girolamo Vignola and Taddeo Zuccari. Upon returning to Bologna, he accumulated a large studio, and influenced many Bolognese who would later play a role in the rise of the Baroque. Annibale Carracci (whose brother Agostino studied with Passarotti) was influenced by Passarotti's genre scenes in a select set of paintings (such as The Beaneater and The Butcher's Shop, the latter being originally attributed to Passarotti). Lucio Massari and Francesco Brizzi were among his pupils. Four of Passarotti's sons, including Ventura, Aurelio, Tiburzio, and Passarotto were painters.   Related Paintings of Bartolomeo Passerotti :. | Portrait of a Man with a Dog | Bartolomeo Passerotti: Blood of the Redeemer | Portrait of an Old Woman | Portrait of a man with a sword | Portrait of a Man Playing a Lute 1576 Bartolomeo Passarotti, Italian |
Related Artists:
Hermann Volz
painted Das kleine Katzchen, signiert und datiert H. Volz Munchen in 1858
James Caldwall
British b.1739 d. in or after 1819
Paulus Bor
(Amersfoort, c. 1601 - Amersfoort, 10 August 1669) was a Dutch painter. Bor was descended from a notable Catholic family. He made a study trip to Rome, where he was one of the founders of the Bentvueghels, taking the nickname Orlando. He returned in 1626 to Amersfoort and joined Jacob van Campen in the decoration of the palace Honselaarsdijk belonging to Frederik Hendrik. In 1656, he became regent of the godshuis "De Armen de Poth" in Amersfoort. Bor's style of painting was rather at odds with that of contemporary painters from Utrecht. He initially painted rather Caravaggisti-like history paintings, but his works fast became marked by a classicism related to that of his townsman van Campen. Through unusual compositions and primitive technique, his paintings depict strange and mysterious subjects.






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